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Vegetable oil to reconcile with transparent pigments, have grounding in the production of cloth, paper, wood and other materials to shape the artistic image of the painting. It originated and developed in Europe, to become the world’s important modern painting. Produced before the 15th century European paintings in egg tempera is a painting of the former. In the use of egg tempera method at the same time, many artists continue to find more desirable to reconcile agent. Generally believed that the early 15th century Netherlandish painter Van Eyck brothers is the founder of oil painting techniques. They try to Yongyou predecessors on the basis of dissolved pigment with linseed oil and walnut oil as a reconciling agent to paint when the brush causing Miaohui smooth, paint drying time on the screen is moderate, easy-to-cover and the painting process several modifications before rich colors and gloss levels, after the paint dry, strong adhesion, easy to peel and fade. They
Creative use of new materials, oil painting, very influential at the time of the painting. Oil painting techniques soon spread in other countries in Western Europe, especially in Venice, Italy to develop rapidly.

Painting materials and tools are the main pigments, brushes, painting knives, canvas, glazing, frame and so on.

① pigments, minerals, and chemical synthesis of the two sub-categories. The original paint, mostly mineral pigments, ground into fine by hand, painting only to reconcile in epistaxis. Modern mass production from the plant, into the tin tube, the type of paint is also increasing. Pigments contained in the performance of its chemical composition, color, the chemistry between the lead paint some adverse reactions. Thus, the performance of paint will help to master oil painting techniques and to work full color enduring.

② brush, using elastic medium made of animal hair, a pointed front circular, flat front flat shape, short front and the fan-shaped and other types of flat.

③ draw a knife, also known as a palette knife, with a flexible thin sheet made of a pointed shape, round shape of the points, used to paint on the palette and mix thoroughly, many painters were written with a knife, a knife directly painting on canvas or in part in the formation of pigment level, texture, increase the expression.

④ canvas, the standard canvas, linen or canvas is tight inside the box in the wood, the use of glue or oil with white powder blending and brushing the surface of the cloth made of. Generally not made of oil and has a grounding effect Gyrosigma, or made under the creative needs of semi-or fully absorbing the base oil. Gyrosigma thickness according to the size of the frame, but also need to select based on paint effects. Some artists use canvas background color coated, easy to form a unified picture of color, his paintings can also inadvertently expose the substrate. After coating, after the end of production, not oil the wood or cardboard can also replace the canvas.

⑤ Varnish is usually done in oil and coated with varnish is dry cover to keep the screen brightness to prevent erosion and fouling the air.

⑥ frame, oil paintings, including a complete frame, especially the strong realistic painting, the viewer of the work frame to form the boundaries of sight, so that the screen appears to complete, focused, painting the images in the viewer the feeling of towards depth. Frame thickness, size, according to work contents. Classical painting frame and more wood, plaster, more modern oil painting frame with aluminum and other metal materials.

Painting in the 20th century, the idea of different art form from the different schools, and presents a variety of art forms tend to restrict the traditional oil painting techniques in terms of factors are often used as a form of artistic expression to reinforce the concept, even to the extreme, Oil formal languages are highly valued. For example: ignore the color of the main structure for the physical freedom of Cubism; pay attention to color balance the strong effect of the state of Fauvism; through the use of color and brush strokes of the performance of twisted psychological disorder expressionism; solely on the color of the point, line, surface composition abstract picture; and will paint thrown at random, throwing, vertical drop on the canvas of abstract expressionism and so on. Numerous schools of modern Western painting over the past century, have been replaced, as long as the medium of painting tools and materials for the modeling, the artist can create any face painting. With the continuous expansion of artistic concepts, leading to oil painting materials and other materials combine to produce a specific kind of painting do not belong to an integrated art, painting and therefore to lose in the West as the status of the major trends in painting.

19th-century European art of oil painting emerged a clear idea of the genre, though mainly in artistic themes and content, but the oil painting techniques each with a corresponding face. Such as the emphasis on painting in the neoclassical style images with a solid sense of the rigorous, consistent with the classical form of traditional law; romanticism around the theme of the tragedy, and strive to color, brush strokes and composition of factors in the campaign-style plot lines to create tension in the painting; pull Rafael, the faction of the paintings focus on psychological and emotional expression of the characters, more screen to blue, purple, green form sentimental tone, the quiet mood … …. Although the face of modern painting has been rich, but has the overall characteristics of realism, which together were as follows: a painting is the art form of the continuum, the main theme of unity with the color screen of the local color, local color gradient in the transition each other to create a harmonious relationship between the color does not exist in isolation; strokes to shape the image of basically the use of the limited degree of exposure, and united in the music long, or short tendency in some order; the images depicted central focus of unity in the composition, the formation and structure of the real effect of the same horizon.

Starting from the 19th century, Western painting has undergone fundamental changes. The art of traditional painting narrow realist style features and integration has reached its own system of highly saturated, so in philosophy, art of change in the concept of the disintegration. Oil is no longer to mimic the natural reproduction of nature as the principle of artistic creation, oil painting artists constructed the image of freedom is treated as a new reality. Artists no longer accurately described through the painting in the form of nature, but will show his paintings as a form of spiritual and emotional world of the media, to imagination, fantasy and other works constructed. After the first three Impressionist painters abandoned the traditional mode of painting. V. Van Gogh’s bold brush strokes to acute illness, so strong, bright colors filled with a strong sense of force, it reflects an inner emotional anxiety. P. Gauguin symbolic colors and shapes to compose the picture, the work space and contrary to the traditional form, with non-descriptive mystery. P. Cezanne geometric form with the probe into the artistic image, creating a rich picture of the world order itself. They work as a sign of dramatic changes in landscape painting.

Part of the 17th century oil painting oil painting emphasizes the sense of light, the use of warm and cold color contrast, brightness intensity contrast, the thickness of layers to create a sense of contrast by light to form a picture dramatic atmosphere. Italian painter Caravaggio painting before he broke the orderly and harmonious in the sense of light effects, he strengthened the screen brightness contrast, often with a large flat screen dark background set off the bright prospects of the characters, it was painted in the bright light. Spanish painter El. Greco will be treated as in the scene under the mottled light and shadow, he is not from the light and dark are two decent, but from the discontinuous distribution of scattered light and dark shapes, colors form a continuous well-being but also the continuous changes in pen solemn, color level, squeezing each other in the infiltration of the screen gives the effect of confusing, or even filling the mysterious and disturbing atmosphere. Dutch painter Rembrandt also the painting of light and the performance of the mental state as a means, he made a lot of portraits, the characters are in the shadow of the large dark, only the performance of expression of the face, hands, etc. important part of showing a distinct brightness. His use of color in the dark calm multilayer thin coating, so that seems dark and deep, while the Ministry of painting light and draw a knife coated with a thick pile color method, resulting in heavy volume sense.

The same period, the use of brush strokes by many artists focus on exploration. Stroke is the oil paints on canvas with paint marks on the motion, full-size oil painting of the early part of a more consistent thickness of paint layers, brush uniform intensity, reveal almost no brush strokes. 17th century artist noted the movement of the stroke when the mood created by the rhythm and emotion driven, the painter in his paintings, the potential to produce the control pen touches the emotions, brush strokes of light, heavy, slow, anxious and direction are shaped not only the image of movement was born, stroke itself with artistic expression.

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